Wednesday, August 29, 2012

Overview in Art Education - Week 2


BIG IDEA: Identity
“Where Are You?” – How Individuals Relate to the Landscape

General Discussion Questions:
1.     Who am I? Who are we?
2.     How do we show others who we are?
3.     Do we have a single identity?
4.     What makes someone an artist?
5.     What aspects of your Identity are easily noticed? Which are hidden?
6.     To what extent is our Identity determined by the society in which we live?

Introduce: Maya Lin -- show images of her work






Watch: Maya Lin Art 21 Video
http://www.pbs.org/art21/artists/maya-lin 

After Viewing:
1.     How does Maya Lin use shape to define a landscape?
2.     Compare her three-dimensional landscapes with traditional landscape painting with respect to the use of color, space, shape, and line.

Activity:
1.       Find a place in nature and design a piece of art that reflects the surrounding earth formations and other natural elements.
2.     Suggest alterations of the environment that would change the way people use the space.

You can:
-Create a detailed drawing or painting of the work of art
-Use Photoshop to depict the work of art
-Create a sculpture (smaller scale) of work of art
-Use mixed media to depict work of art (photography, drawing, painting, Photoshop, etc).

After Activity:
1.     Does the artwork have another function? (I.e. memorial, skating rink, playground, water fountain, etc)
2.     How does this piece of art reflect the surrounding environment in which we live?

Artistic Thinking - Week 2


ReMix Manifesto Documentary
Reaction:
Girl Talk is a great example used in the documentary to discuss creativity vs. ownership of intellectual ideas.  This example raised questions in my mind of:

Where is the line between copying and re-creating to call a piece your own?
How much copying is too much?
Is it even possible to create a piece of art that is completely original today?
Does building on the past promote creativity? Or stifle it, trapping it in the same direction?

            While the lead singer of Metallica seemed abrasive and unstable in his interview on music pirating, part of what he was saying resonated with me.  As somewhat of a singer/songwriter, I understand the notion of giving the artist money for enjoying their art.  Music may be their livelihood and paying for what you take of theirs may be only the respectful thing to do.  On the other hand, levels of exposure, fostering creativity within society, and sharing their art with the world all seem like an artist’s goal as well.  The line on creative ownership seems blurry. 

            Mostly, I struggle with the idea of complete originality.  Art is often a response to culture, to the world around us, to society, to previous art, politics, people, events, etc.  Therefore, it is already building on the past.  Art is, in essence, a response to the past. 
So how can one limit access to the past?  It seems we would have no art at all.

Questions/Activities for Classroom Use
Copyright Introduction Lesson
Big Idea: Creativity vs. Ownership of Ideas
Define: What is “Copyright?”  Who is it for?
            Questions: 
1.     Where do you draw the line between copying and creating?
2.     Do you think that if you manipulate an existing song enough you can eventually claim it as your own creation?
3.     Do you believe there are forms of music that are not built on past works?
Define: Public Domain
4.     Do you agree that a healthy public domain is essential to creativity?
5.     When you write an essay or paper you may quote other authors and cite those references. Do you believe we should be allowed to do the same with music and video?
6.     Has the affordability of technology and access to the Internet helped you make change or voice an opinion on an important issue?

Disney Lesson
            Big Idea: Does Originality Exist?
Discuss: Walt Disney took works from the public domain and updated them, “building on the past.” Fastforward, and the Disney Corporation wants to “control the future,” suing everyone and successfully extending copyright by another 20 years.
            Watch: Examples of Disney’s work referencing work of the past
Questions:
1.     Gilberto Gil states, “Nobody creates in a vacuum. Everything comes from something else”. How many people had to pick up a camera so that you could do what you’re doing today?” Do you agree with this statement?
2.     Is it even possible to create a piece of art that is completely original today?
3.     Do you have an example in your own life in which someone else’s work effected your own?
4.     Have you ever created a piece of art that you think is completely original? Explain?

Radiohead Lesson
            Big Idea: Are copyright laws antiquated in today’s world?
            Explain:  Radiohead’s “In Rainbows” release
            Questions:
1.     What do you think of Radiohead’s business model for releasing records?
2.     How many of you, when you’re downloading music off the Internet think that you’re stealing it?
3.     Do you think the business model for professional musicians has changed in the last few decades?


Read & React
Rewired:
The 21st century student is a creator.  “The vast majority of teens have created their own content for the Internet.”  Knowing this, it is important as an art educator to ask how we can “redirect the intense activity spent making new content away from what critics believe is mindless junk and toward meaningful, education-related projects.”  How can we take the natural abilities of these students and help them translate it into meaning and artmaking?
            Chapter 6 discussed the literary world of the 21st century.  Does the increase in technology, specifically in regards to smartphones and texting, help or hinder students’ ability to write well?  “What effect will participating in the world of netspeak have on the writing skills of students?”  While there is little evidence to support the claim that kids’ writing skills are getting worse, there is data that has found that “students who used more textisms in their daily writing produced better informal essays… youngsters are more literate than ever before.” 
            It seems this is yet another area where incorporating student’s individual interests in daily life, helps motivate students to perform well in writing.  “As more teachers take advantage of the fact that students write prolifically in their personal worlds, and teachers develop writing exercises using those same technologies, they will find that students are engaged in and enjoy writing far beyond their typical classroom writing assignments or reports.”   
            Overall, if educators use a teaching model that contains user-generated content, students are more likely to be self-motivated, creative individuals.  This chapter gives an example of a model that includes four elements of user-generated content: Technological tools, purpose, audience, and new texts. 

In regards to the discipline of writing, as discussed in this chapter, I feel strongly that kids perform better when they are allowed, even encouraged, to be creative in their execution.  Up until my senior year of college I considered myself to be an average to poor writer.  From grade school to high school I was taught the formal way of writing.  I learned the importance of the five-paragraph essay.  This formal way of writing did not come naturally to me.  I would work very hard to receive an extremely mediocre grade.  My first few years of college were no different, having to take basic English Composition where emphasis was placed on learning to formulate thoughts formally.  While these skills are important, I was never able to master the idea of formal writing because my large efforts produced little results, and my perception of myself as a weak writer perpetuated the pattern. 
            Senior year of college I took a creative writing class.  It was here that I felt encouraged to be creative, think outside the box, break the rules of writing, and take risks.  After I wrote my first story I received amazing feedback from my teacher.  He encouraged me to continue writing, continue to be creative; he gave me books to read in response to my specific writing style, and gave me the confidence I needed to succeed in the class.  It was here that I realized my love for creative writing and, to my surprise, that I was not bad at it.  This is an example of a teacher, teaching.


“The Eight Net Gen Norms”
The eight norms are: Freedom, customization, scrutiny, integrity, collaboration, entertainment, speed, and innovation. 
                       
            Freedom: The current generation expects freedom.  Due to the increase in technology, this generation grew up having access to explore the world.  Information has been at their fingertips.  Part of this quest for freedom is the integration of home/social lives with work life.  They want the freedom to be able to work at home.  They want the freedom to bring social activities to work.  They want the choice to do what they want when they want it.  This transformation is also transforming education.  Students want to learn where, when, and how they want to.
            Customization:  Net Geners are a generation that “get something, and customize it to make it theirs.”  From school, work, interests, products, etc, Net Geners want to make it their own.  How, then, do we allows students to customize within the classroom.  Do we give them enough choices to allow ownership of what they are learning, doing, creating?
            Scrutiny: Net Geners have the “ability to distinguish between fact and fiction.”  This generation has grown up learning to be skeptical when online.  “The more they have scrutinized a product, the better they feel about purchases, especially ones requiring a large financial or emotional investment.” 
            Integrity:  “Net Geners care about integrity—being honest, considerate, transparent, and abiding by their commitments.”  This generation uses technology to find out information about products and the integrity involved in that product, and communicate with each other about said products.  “Knowledge leads to action.” 
            Collaboration:  “Net Geners are natural collaborators.  This is the relationship generation.”  If educators are to incorporate the idea of collaboration in the classroom, they should collaborate with their students.  Move from teacher-focused methodology that isolates the students in the learning process to student-driven methods where students collaborate with their teacher, customizing their own curriculum. 
            Entertainment:  Net Geners believe that work should be fun, intrinsically satisfying, and emotionally fulfilled.  If they don’t receive these characteristics in a job, they will move on.  Should Net Geners be allowed free time to amuse themselves online while at work?  Do breaks in the workday lead to more productivity?
            Speed:  “Having grown up digital, they expect speed.”  Net Geners want things to be quick.  They want instant response around the clock.  Communication is constantly accessible: Phones, emails, facebook, twitter, etc.  Net Geners expect responses quickly.  They expect the world to move quickly.
            Innovation: This generation has been raised in a culture of invention.  They expect the latest and greatest.  They have been surrounded by constant innovation and change.  If this is their normal mode of function, think of what they will create once out of school?  How can we foster the growth of students to reach their full creative, innovative potential?  We must equip them with the skills needed to speak the language of the technological world.  

Artistic Thinking - Week 1


Week 1: Introduction to Artistic Thinking & Technology
Due – Sunday, August 26

Big Ideas:
What is education’s role in meeting the needs of the 21st century?
What are my beliefs and experiences pertaining to/with the iKid/iGeneration?
How might my generational grouping impact my understanding of the students I teach?

Readings/Resources used in Read/React/Timeline response:
iKid article – Mudd, Unrath
“New Technologies in the Art room”
Digital Nation Documentary
Technology Self-Assessment – Proficient in Technology operations and concepts, Ethics and safety – Developing Technology in Teaching and Learning Technology

Read & React:
“Signs of Change: Art Education in the Age of the iKid:”
“We’ve progressed from a society of factory workers to a society of knowledge workers.  And now we’re progressing yet again—to a society of creators and empathizers, of pattern recognizers and meaning makers.” 
-Daniel Pink, A Whole New Mind
This quote used in the article summarizes the need for change in education. The article seeks to inform art educators and non-art educators alike why and how society should respond to this inevitable change.  Many educators are teaching to prepare students for a world of the past, not a world of the future.  If technology is in our future, even our present, it should be in our schools today.  The 21st century student has a learning style different than current teachers.  If an educator’s natural tendency is to teach how they were taught, then educators must make a conscious effort in understanding the characteristics that define today’s learners in today’s classrooms.   The 21st century learner is different in areas of their access to digital technology, form of literacy, media interaction, ability to multi-task, social connection vs. social disconnection, and the need for creative thinking opportunities.   
Considering these differences of the 21st century student, the article purposes we meet students where they are by exercising their unique abilities through projects and opportunities in which students make meaning and connections to their individual lives.  Art education, specifically, has the resources to aid students in acquiring the skills and conceptual thinking necessary to succeed in the future not only in art, but in other disciplines as well.    
This article touches on a lot of points I have been thinking about recently.  Through my limited experience in the classroom, I have already seen a significant change in students and their learning styles from when I was a young student.  This can range from actual use of technology, to length of attention spans, to ways of processing, etc.  This means that in order to successfully teach today’s students an educator must understand today’s students.  The article seeks to give insight into just that: the 21st century student’s lifestyle, learning style, strengths, and weaknesses, within and outside the classroom.  What I find interesting, however, is there is no longer this idea that a student’s life is separated into two parts: inside the classroom and outside the classroom.  Through the development of technology and social media these two once disparate entities have become inseparable.  Due to this change it is highly important educators help students make meaningful connections that translate both inside and outside the classroom. 

“New Technologies in the Artroom:”
            Create art and teach art.  Anything we do or don’t do in the classroom should be apart of the goal to simply “create art and teach art.”  Therefore, if we as educators are to teach art well, we must meet the needs of those we are educating.  Today, that need is technology.  As our society progresses, so should our classroom.  This article encourages art educators to take initiative in maintaining a relevant classroom. 
            The article raises a few main points to help educators take technological initiative in the classroom.  One point is that without proper training of equipment and tools of technology, the amount of these technological resources becomes irrelevant.  The educator of a classroom needs basic training just as much as they need the technology. 
            Another point is that technology does not replace knowledge of Design.  The use of technology must compliment the artist’s knowledge of design.  Therefore, technology is simply another tool in teaching art in the classroom. 
            With this knowledge of design also comes the need to think and look critically.  In today’s society, understanding how to view imagery critically is a valuable skill used not just in art, but in business and industry as well. 
            Another way technology can enhance an art class is by allowing students to better understand the process behind art.  On the computer a student can save their image in various stages of completion, test out an idea with a click of a button, create multiple images and manipulations, etc.  This gives students the opportunity to explore and play with an image before it is final.  The process is just as important as the final image. 
            Technology also helps redefine artistic talent.  Value is not only placed on a student’s ability to successfully render an object with realism, rather students also understand the importance of design, layout, and composition.  By opening up the idea of what art is, students may get more involved in art, and maybe even consider themselves artists. 
            Lastly, with the use of technology within the art classroom, students can learn the importance of artistic collaboration and integration.  Often times when working with technology, projects require many fields of expertise – artists, writers, engineers – in order to accomplish a “whole” work.  Students might learn this on a minor scale within the classroom.  Students should learn that art does not strictly exist inside the classroom, but that it can be used alongside other disciplines to create something new.  
           
            I’ll be honest, I find incorporating extensive avenues of technology in the classroom to be extremely daunting.   I consider myself to be proficient in the use of technology, but using it in the classroom is something else entirely.  The amount of technology is so overwhelming; I don’t even know where I would begin.  This article, however, gives very good reasons to overcome my fear.  There are countless advantages to incorporating technology in the classroom as listed above.  Taking steps towards understanding different programs and media will enhance student learning.  The article allowed me to feel confident that it is well worth taking that risk. 

Digital Nation Documentary:
             At one point in the documentary it was said, “The world has sped up, education hasn’t.”  To me, this phrase summarizes the documentary and its purpose.  In most cases, education is failing its students simply because it hasn’t provided them with the technology of their world. School makes more sense to students if it provides them with technology.  The world outside of school is filled with technology and social media in a way that has become a lifestyle for most students.  If schools fail to connect with students in this way, they may fail to connect with them entirely. 
The documentary gives several examples of how technology is being used not only in education, but also in the world after education; the world education should be preparing students for.  From games such World of War Craft (which, in my opinion has turned into something way more than just a game), to the business world with programs such as Second Life.  This 3D online universe allows people to live in a virtual reality.  Businesses are using this program to hold meetings.  Instead of flying people across the world, they meet virtually. 
While the documentary shows both positive and negative aspects of our current digital age, the progress is inevitable.  Therefore, we must respond in the most productive, positive, engaging way possible, in order to better educate our students and prepare them for their future.  The world educators are preparing students for isn’t one that needs them to memorize information, its one that needs them to do things, build things, and make things.  It is the schools responsibility to teach them how to do just that.

At first I was uncertain of the goal of the documentary.  The beginning showed different ways technology has affected students in a negative way, such as creating multi-taskers who can’t focus or think clearly, distracting students from being creative, shortening attention spans, creating internet addictions almost in the form of a disease, etc.  As the documentary continued, however, it showed the positive ways technology could be harnessed within schools to better their education.  Technology can raise student’s interest in school subjects, allow them to speak a language they are use to speaking, in order to better understand content and complete assignments. 
Ultimately, if technology is already consuming their world, we as educators must teach students how to use this technology to make meaning of the world around them. 


Timeline Response:
What are my beliefs and experiences pertaining to/with the iKid/iGeneration? How might my generational grouping and my current understanding of technology (*gleaned from the self assessment) impact my understanding of the students I teach?

I incorporated my answers to these questions in my responses/analysis of the readings and documentary for the week.  But I will summarize my thoughts a bit more here:
I believe the iKid is unique to the world I know.  Instead of being given cell phones at age 16, they are given one at age 6.  Instead of receiving a laptop as a freshmen in college, they are given one as a freshman in high school, and are familiar with how to use one much earlier.  The iKid can navigate the Internet better then most adults.  Clearly, these skills and experiences make the iKid different than any of their teachers.  If I am to successfully teach and impact these students in a positive way, I must teach them not only in a language they understand, but I must also have something to teach them.  I must be learning along with them.  I must help them understand how they can use this skill that has become second nature for them and apply it to better understand the world around them.  How can I teach these students to use technology in art to make meaning and create connections to their individual lives?  This is my question.  

Sunday, August 26, 2012

Overview in Art Ed - Blog response #1/Teaching Philosophy





BLOG response #1 - Overview in Art Education 7730

Art education is in the process of adapting to the needs of the 21st century student.  Through the development of technology, the digital visual culture has progressed and changed, therefore art education must adapt to meet the needs of the current and future world.  The 21st century student has a learning style different than current teachers.  If an educator’s natural tendency is to teach how they were taught, then educators must make a conscious effort in understanding the characteristics that define today’s learners in today’s classrooms.   
To me, there is no longer the idea that a student’s life is separated into two parts: inside the classroom and outside the classroom.  Through the development of technology and social media these two once disparate entities have become inseparable.  Due to this change it is highly important art educators help students make meaningful connections that translate both inside and outside the classroom.
Art education has the resources to aid students in acquiring the skills and conceptual thinking necessary to succeed in the future not only in art, but in other disciplines as well.  As Olivia Gude said, “If it is indeed true that our notions of the real and the possible are shaped in cultural discourses, art teachers have the power to change the world.”
With this attitude, in order to successfully teach the 21st century art student, I must be an educator who is constantly in flux, as art and society is constantly in flux.  I must seek to learn, along with the students, the current language of the world (i.e. technology) in order to prepare students for the world’s needs in the future. 

Teaching Philosophy – Rough Draft
Constructivism in the Classroom
Constructivism is defined as a teaching philosophy that focuses on the personalized way a learner internalizes, shapes, or transforms information.  Thus, learning occurs through the construction of new, personalized understanding that results from the emergence of new cognitive structures.  My personal beliefs and philosophy of education follow closely to this approach.  From my short time in education courses, I have adopted the notion of student centered, student driven learning.  This educational philosophy stretches from physical setting of a classroom, to lesson planning, to the forms of assessment, and motivation that takes place in the classroom.  Student centered teaching focuses on the development of big ideas wherein students draw their own conclusion.  This environment should foster internal motivation and divergent thinking among students.  Furthermore, in art education it is the educator’s job to make clear the underlying elements of what is beautiful and to help students explore, locate, and manifest their ability to create beauty themselves.  In this way, students should be encouraged to integrate these ideas throughout all subject areas in order to inform and enrich every aspect of their life.   

Investigation of Individual and Social Identity
I believe it is important to provide students with an education in which they feel successful and valuable as well as prepared for life and employment after school.  Students seem more apt to learn in environments where they feel a sense of belonging and believe they are contributing members of a group or community.  It is the educator’s job to equip students with the skills and knowledge that will allow them to be contributors.  Ultimately, education should aim to foster growth of the individual while harmonizing the individual with his or her social group.  Through art, students should be given the opportunity to investigate how their identity as an individual has a role in the larger whole of society—creating personal and shared meaning.  Artmaking is an important step towards expanding self-awareness and emotional and intellectual development of an individual’s identity and potential identity.  Students should be encouraged to not only think introspectively, but outwardly as well, seeking to understand their impact on society.   

Journal Page: BIG IDEAS